1) Editing
2) Mise - en - scene
3) Camerawork / Cinematography
4) Sound.
The purpose of continuity editing is to smooth over the original discontinuity of the editing process and also to show the logical coherence between shots. Logical coherence is usually achieved by cutting to continuity, which expresses the smooth transitions of the time and the space. Some films involve cutting to continuity in a more complex classical cutting technique, one which also tries to show physiological continuity of shots. The montage technique relies on symbolic association of ideas between shots rather than association of physical actions for its continuity.
180˚ rule:
In film making the 180˚ rule is a diagram showing the on - screen spatial relationship between one character and the other, or an object within the scene. It involves a line that covers 180˚, and on one side of the line (red side in image) is where the camera stands to film, and on the other side of the line (green side in image) is where the actors and space is filmed.
4) Sound.
The purpose of continuity editing is to smooth over the original discontinuity of the editing process and also to show the logical coherence between shots. Logical coherence is usually achieved by cutting to continuity, which expresses the smooth transitions of the time and the space. Some films involve cutting to continuity in a more complex classical cutting technique, one which also tries to show physiological continuity of shots. The montage technique relies on symbolic association of ideas between shots rather than association of physical actions for its continuity.
180˚ rule:
In film making the 180˚ rule is a diagram showing the on - screen spatial relationship between one character and the other, or an object within the scene. It involves a line that covers 180˚, and on one side of the line (red side in image) is where the camera stands to film, and on the other side of the line (green side in image) is where the actors and space is filmed.
Match - on - action:
Match - on - action consists of two shots. In the first shot the character starts his action and in the second shot the character finishes the action. Generally the scene wont contain any distraction and will flow in an effective manner. There is a change in perspective in the camera as well.
example... first shot has a man throwing a ball then changes to the second shot of the man catching a ball.
eye line match:
This is based on the idea that the audience will want to see whatever it is that the character on screen is looking at during the close up only of the characters face on screen. I t begins with a shot of the characters face only on screen, then a cut happens, and then a shot of whatever it is that the character that was previously on screen was looking at.
example... first shot of a mans face looking towards the left, cut, second shot of the television.
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